Solis is a 2018 Sci-Fi thriller written and directed by Carl Strathie and starring Steven Ogg (The Walking Dead) and Alice Lowe (Prevenge).
“When Troy Holloway (Ogg) wakes up to find himself trapped aboard a drifting escape pod shooting towards the Sun he quickly realises the true terror of his situation. With rapid oxygen depletion and a burn- up rate of 90 minutes, Commander Roberts (Lowe) leads a rescue party to save Holloway before time runs out.”
It’s worth mentioning right here at the start that Solis is very similar to the 2010 thriller Buried, starring Ryan Reynolds as Paul Conroy, a truck driver working in Iraq who wakes up buried alive in a coffin with only a lighter and a mobile phone.
On the one hand, Holloway has a lot more to do than Conroy in Buried which leads to a far more proactive lead character. He is also able to explore the immediate outside of his entrapment which is far more than we ever see in Buried.
Welcome Home is a 2018 thriller directed by George Ratliff and starring Emily Ratajkowski (Gone Girl), Aaron Paul (Breaking Bad) and Riccardo Scamarcio (John Wick: Chapter 2).
“Cassie (Ratajkowski) and Bryan (Paul) spend a weekend at a vacation rental home in the Italian countryside in an attempt to repair their relationship, but soon become victims of the homeowner’s (Scamarcio) sinister plans.”
Simplicity is the name of the game with Welcome Home as the main characters are the only ones we’ll be dealing with for 95% of the run-time. The movie really is as simple as a troubled couple being terrorised by a third party, whose intentions aren’t always clear or consistent. And whilst a larger plot is hinted in the final moments, it has little bearing over the actual events of the film and the re-contextualisation somewhat weakens the threat of the main villain.
The Unseen is a 2017 psychological thriller written and directed by Gary Sinyor. The film stars Jasmine Hyde, Richard Flood and Simon Cotton and was produced by Magnet Films.
“Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, they take up an ex-pharmacist’s offer to stay at his Lake District country getaway but are his intentions entirely benevolent?”
Low budget independent horror is a mixed bag and requires a formula of simplicity, restraint and creativity that not every production can get right.
However I am happy to say that The Unseen nails it.
The shots are crisp, the lighting and music are atmospheric without being distracting, and the narrative moves along at a steady pace. Most importantly, The Unseen is a gripping thriller with sympathetic characters and a healthy amount of emotional rawness.
Eat Locals is a 2017 vampire horror comedy that marks the directorial debut of actor Jason Flemyng (X-Men: First Class, Lock Stock & Two Smoking Barrels, League of Extraordinary Gentlemen). The script was written by Danny King (Wild Bill) and the plot goes thusly:
“In a quiet countryside farmhouse, Britain’s vampires gather for their once-every-fifty-years meeting. Joining them are a detachment of Special Forces vampire killers who have bitten off more than they can chew. This is certainly going to be a night to remember… and for some of them it will be their last.”
It’s a great concept and the film certainly takes it’s time in establishing its interesting lore. Flemyng proves himself as a competent director, getting great performances out of his very talented cast. All of whom manage to lift the material to a more enjoyable level. The standout performance is from Tony Curran who stars as the caustic and impeccable dressed vampire, Peter Boniface.
A team of American journalists go in search of a giant man-eating crocodile in Burundi. However their search for the legendary beast is hampered when a local warlord makes them as his next target. What will get them first – the bloodthirsty warlord or the ravenous Primeval man-eater?!
Whilst not the strongest movie to be based on a real life crocodile, Primeval still delivers where it really counts.
Most films use political unrest as a backdrop to their main story but Primeval often places it front and centre. I have no idea of how accurate the depiction of the Burundi is but it’s very unflattering. I couldn’t help getting the impression that this was Africa seen through a very American lens as we are treated to various African stereotypes such as rampant corruption, voodoo witch doctors, blood-thirsty criminal war lords and the desperate dream of immigration to America.
When a Russian space station is over-run and subsequently crashed by a horde of mutated Spider/alien hybrids, the military quickly quarantine the surrounding area in the hopes of using the spiders for their own agenda. However when his daughter is stuck in the spider-infested quarantine, the local subway controller must reconcile with his estranged wife in order to save their daughter, avoid the military and finally defeat the Spiders – in 3D!
Working on a remarkably smaller budget than other 3D creature features, Spiders 3D has a much smaller scope and as a result is a much smaller success. But a success nonetheless.
Spiders 3D contains a necessary degree of effort and professionalism. The Cinematography is atmospheric and the sets are detailed. Takacs’ direction is solid with smooth camera movement that enhance the scenes rather than distract and interesting shots that lazier directors don’t ever think of. The locations are always busy with choreographed extras and convincing stuntmen. This all creates an impressive sense of scale that suggests a budget far greater than the $7 million Spiders 3D claims to have been produced on.
Whilst on a camping trip in a secluded forest, four teenagers find themselves set upon by a toxic waste mutated Grizzly Bear. Will they be able to survive the mutated bear and its Grizzly Rage?!
Grizzly Rage is a scaled-back feature which leans more to being a thriller than being a standard horror movie.
Simple is probably the best way to describe Grizzly Rage. First of all, there are only 5 characters in the entire movie, 4 of whom are human and one is a bear. There are no supporting cast, background extras or any other humans in the movie. To call this movie character focused would be an understatement.
There are also only 3 locations; a forest, a rock quarry and an abandoned cabin in the woods. Unfortunately, a lot of the run time is spent in these simple locations on events that have no real effect on the overall storyline such as Wes climbing the quarry, Sean exploring the cabin, fixing the car engine and Wes getting topless and climbing a tree. However the run time is swift 86 minutes and Grizzly Rage doesn’t overstay its welcome.
When a genetically engineered wolf/whale/human hybrid goes rogue, it’s up to Sharktopus to put it down once and for all. But who will survive the outcome of the greatest battle in history: Sharktopus vs Whalewolf!
Sharktopus returns for his biggest battle yet and it proves the most enjoyable thanks to interesting creatures, a funny script and some gung-ho performances.
Whereas other films foolishly attempt a degree of seriousness that can be detrimental to the finished product, Sharktopus vs Whalewolf maintains a cartoonish sense of humour. Sharktopus is frequently anthropomorphised, Whalewolf behaves like an ill-trained puppy, the dialogue is littered with gags and Casper van Dien’s hammy performance is tonally perfect.
What also differentiates Sharktopus 3 (as it’s known in Germany) is the sheer amount of creature action. Continue reading
After a combat demonstration goes awry, a genetically engineered shark/ octopus hybrid is let loose and it’s not long before it starts a massacre off the coast of Mexico. When it begins to turn its intentions inland, the creature’s creator must work together with his estranged daughter if they are to stand any chance of stopping the dreaded Sharktopus!
The winner of the Syfy Monster Mayhem Tournament manages to breathe new life into Roger Corman’s B-movie operations with a great title, a great creature, a great cartoon poster and an amazing theme song by The Cheetahs Whores.
Sharktopus has quite a complex storyline for a creature feature with numerous story threads running side-by-side but it still fits in comfortably with the Syfy movie formula. The body count is crazily high. Literally 5 minutes does not go past without somebody getting eaten, and some of the kills are particularly terrific with the bungee jump kill being my personal highlight of the entire film. Not to mention that at a mere 89 minutes, Sharktopus doesn’t overstay its welcome.