|ITALIAN MINISTRY OF CULTURE, UFFIZI AND LUCCA COMICS & GAMES COMBINE TO FOSTER THE DEVELOPMENT OF COMICS WORLDWIDE|
|52 self-portraits of some of the most talented comic book artists on the Italian scene will enter the collection of the Uffizi Galleries, Italy.|
The works – created with different techniques, formats and styles – will be presented at Lucca Comics & Games 2021 from October 8 to November 1 as part of the “Fumetti nei musei | Gli autoritratti degli Uffizi” (Comics in the Museums | Self-portraits of the Uffizi) exhibition, curated by Mattia Morandi and Chiara Palmieri.
The exhibition is an inititative between the Uffizi Galleries and Lucca Crea to foster the development and promotion of comics in Italy and abroad. The initiative will also see one of the portraits, selected by the Uffizi and the Ministry of Culture, going on display in the self-portrait collection of the Florentine Museum.
The new cluster of self-portraits of contemporary Italian comics will add a new dimension to the collection of self-portraits of the Uffizi Gallery – the richest and most prestigious in the world. These works will be exhibited in the new rooms dedicated to self-portraits that will open in the coming months on the second floor of the Vasarian Museum.
The agreement also sees the participation of the Uffizi and the Ministry of Culture in the selection of the Master of Comics within Lucca Comics Awards at Lucca Comics & Games and the entrance, every year, of the winner artwork into the self-portrait collection of the Florentine museum. The agreement will have an initial two-year duration at the outset and within its scope, a variety of shared initiatives may be undertaken in addition to exhibitions, events, cultural productions, creative, educational and scientific partnerships and much more.
| The works that will be on display in Lucca have been generously donated by the artists who participated in Fumetti nei Musei, the project conceived by the Ministry of Culture.|
“Thanks to the artists for this important donation, which represents a further evolution of a path of valorization of contemporary comics that was born around the ambitious project Fumetti nei Musei. This new fund is an important innovation for the Italian contemporary art scene: the Uffizi thus becomes one of the first museums of classical art to bet on the vitality and creative force of the ninth art,” says the Italian Minister of Culture, Dario Franceschini.
“With this unprecedented, innovative alliance between the Uffizi and Lucca Comics, one of the most important comic events in the world, the goal is to reiterate a key concept: culture is pop and to effectively reach as many people as possible. The agreement we are presenting today is the first of its kind in the world: I am convinced that it will give rise to great results and will be the forerunner to many other ‘crossovers’ that will bear fruit in terms of ideas, creativity and inspiration for the future,” comments the Director of the Uffizi, Eike Schmidt.
Francesca Fazzi, President of Lucca Crea, adds “Even the most difficult edition of Lucca Comics & Games has generated exciting results. The presence of Eike Schmidt at Lucca Comics & Games in 2020 marked the start of a collaboration, which today takes concrete form in an initiative that will bring, every year, the Master of Comics crowned in Lucca to the Uffizi Galleries. It is a great recognition for the Festival and for all Italian comics“. Her words are reinforced by Emanuele Vietina, Director of Lucca Comics & Games.
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|From left: Eike Schmidt (Gallerie Uffizi Director), Emanuele Vietina (Lucca Comics & Games CEO), Alessandro Tambellini (Major of the City of Lucca) and Francesca Fazzi (Lucca Crea President)|
Solis is a 2018 Sci-Fi thriller written and directed by Carl Strathie and starring Steven Ogg (The Walking Dead) and Alice Lowe (Prevenge).
“When Troy Holloway (Ogg) wakes up to find himself trapped aboard a drifting escape pod shooting towards the Sun he quickly realises the true terror of his situation. With rapid oxygen depletion and a burn- up rate of 90 minutes, Commander Roberts (Lowe) leads a rescue party to save Holloway before time runs out.”
It’s worth mentioning right here at the start that Solis is very similar to the 2010 thriller Buried, starring Ryan Reynolds as Paul Conroy, a truck driver working in Iraq who wakes up buried alive in a coffin with only a lighter and a mobile phone.
On the one hand, Holloway has a lot more to do than Conroy in Buried which leads to a far more proactive lead character. He is also able to explore the immediate outside of his entrapment which is far more than we ever see in Buried.
Welcome Home is a 2018 thriller directed by George Ratliff and starring Emily Ratajkowski (Gone Girl), Aaron Paul (Breaking Bad) and Riccardo Scamarcio (John Wick: Chapter 2).
“Cassie (Ratajkowski) and Bryan (Paul) spend a weekend at a vacation rental home in the Italian countryside in an attempt to repair their relationship, but soon become victims of the homeowner’s (Scamarcio) sinister plans.”
Simplicity is the name of the game with Welcome Home as the main characters are the only ones we’ll be dealing with for 95% of the run-time. The movie really is as simple as a troubled couple being terrorised by a third party, whose intentions aren’t always clear or consistent. And whilst a larger plot is hinted in the final moments, it has little bearing over the actual events of the film and the re-contextualisation somewhat weakens the threat of the main villain.
I’ve never been LARPing before.
That’s effectively what Zed Events are offering with their latest attraction, “The Wasteland Experience”. A group of adults carrying fake guns being led through an abandoned shopping mall full of actors – both friendly and unfriendly – whose sole job is to scare the players as much as possible.
Does that sound like fun?
Because it is.
It’s a lot of fun. And I mean a hell of a lot of fun.
Cambodia’s Creature Features
Part II: The Snake King’s ChildAfter the fall of the Khmer Rouge and when the Vietnamese-backed People’s Republic took control, cinemas were re-opened showing foreign films from Vietnam, the Soviet Union, Hindi films from India and action movies from Hong Kong. However the steady diet of pro-Soviet films focused on class struggles and socialist realism grew tiresome and Cambodian audiences demanded something with a more Cambodian flare.
Many sources wrongly state that The Snake King’s Child was the first feature film produced after the Khmer Rouge, whereas in actuality, Cambodian cinema actually resumed production of feature films in 1980 – 1 year after the end of the Khmer Regime and 21 years before TSKC’s release. The distinction of being the very first post-Regime Cambodian film belongs to My Mother is Arb (Kon Aeuy Madhi Ahp or Krasue Mom).
MMiA follows a young man who discovers that his mother is secretly an Arb/ Arp (a ghost with a woman’s head connected only to her viscera) and whilst pretending to her that he doesn’t know, living in the fear that his is in danger, his future is in jeopardy and that his mother’s secret may be discovered by others. MMiA was heavily based on Khmer folklore and after the attempted cultural erasure of the Khmer Regime, was very popular. Continue reading
2013 has been an interesting year for films.
Creatures Features became a social media phenomenon thanks to The Asylum’s Sharknado which became a major talking point following it’s SyFy Channel première. Sharks were very popular this year as we also saw the release of Avalanche Sharks, Ghost Shark and Sharkzilla whilst Mega Shark vs Mecha Shark was pushed back to 2014. Announcements for 2014 included Sharknado getting a sequel entitled The Second One, Sharktopus getting two vs sequels and a crossover of the Lake Placid and Anaconda franchises!
Meanwhile the two parent genres of Creature Features, Sci Fi and Horror, equally performed far above expectations. The ‘Avengers Effect’ was finally proved as the box office gross for Iron Man 3 and Thor: The Dark World sky-rocketed from their last respective outings whilst James Wan hit a one-two punch with the super profitable Insidious: Chapter Two and mega hit The Conjuring.
But enough of that, on to my Best of 2013…
Where do I begin…?*
Profile: Gyo: Tokyo Fish Attack (2012)
Gyo: Tokyo Fish Attack is a 2012 horror anime based on the titular manga by Junji Ito (Tomie) that ran from 2001 to 2002. Arguably the only creature feature anime available in the UK, the OVA was written and directed by Takayuki Hirao and wins the award for being the most bizarre concepts I have ever seen for a Sci-Fi Horror film. Gracefully short at a mere 71 minutes long, Gyo was produced by the Ufotable animation studio and was released in the UK via Terracotta Distribution.
Kaori is on holiday with her friends when walking fish begin to rise from the sea and invade Japan, bringing with them a ‘death stench’ that smells like rotting corpses. Leaving her friends at the vacation home, Kaori teams up with cameraman and reporter Shirakawa as she struggles to make her way back to Tokyo and find her finance Tadashi. This is where things start to get really weird… Continue reading
Jaws Revenge is a 2012 app game developed by Fuse Powered Inc based on the titular Jaws franchise that is available for iOS and Android devices. The 24MB game is completely free and carries a ‘High Maturity’ age rating. During the game you play as ‘Jaws’ the shark from Jaws and the aim of the game is eat enough people to stay alive whilst your health continuously drops. Continue reading